Director: Ron Howard
Year 1988
The film begins with a prophecy which foretells the demise of the evil sorceress Queen Bavmorda by the hands of an infant Daikini child named Elora Danan. This baby of the prophecy, born under the oppressive rule of Bavmorda, is secreted away by a midwife and sent down a river in hopes that somehow her destiny will unravel and the prophecy will come to be true. Lending a hand with fate, the child comes into the unlikely care of a young Nelwyn named Willow Ufgood, who though short on stature but tall on heart, takes the baby in against his own better judgment. After his village is attacked by a savage beast, which has been sent by Bavmorda to track down the child,
Another standout in this film is the role of Elora Danan, played by one-time actresses Ruth and Kate Greenfield. These twin sisters may be just infants wearing auburn colored wigs, all the while restricted by swaddling wraps, but damn can they make some of the most expressive facial expressions. I don’t know how much time Ron Howard spent on directing the two, while he waited for that perfect reaction, but this infant team really hit it out of the park. I feel kind of silly praising the acting work of two newborn babies, but every time I watch this film I’m floored by how diverse and pertinent their expressions are when the time comes for them to interact with the rest of the cast. It sounds ridiculous to say, but without the memorable moments that their collaborative efforts were able to bring to the film, I doubt that we would have cared as much for the character of Elora Danan or the fulfillment of the prophecy.
Paired up with Val Kilmer’s Madmartigan, in a classic romantic angle that befits Han Solo and Leia’s turbulent courtship, is Joanne Whalley in the role of Sorsha. Ever since watching this movie in my youth, I’ve been smitten with the character of Sorsha. Whalley allows a fire to grow within her rebellious portrayal of the seasoned warrior and her breathtaking looks and jaw-dropping passion is a perfect match for Kilmer’s rogue swordsman. It isn’t surprising that after meeting on the set of
Now on the side of evil, we have Queen Bavmorda herself, played by the wickedly good Jean Marsh, and her intimidating juggernaut General Kael, played by Pat Roach. These two are the epitome of evil and their individual looks are outstanding. With the case of Queen Bavmorda, she is always draped in dark robes which cover her mummified wrappings, encased around her body, and Marsh looks absolutely frightening in the role. Her venomous disposition and menacing appearance makes for an iconic villain that truly defines the character classification. I love her portrayal of the power hungry sorceress who would even kill her own child if it defied her orders. Marsh’s performance is vividly grotesque and her presence in this film is potent to say the least. General Kael as well has a powerful existence in the movie with a visually expressive look that strikes fear in that cinematic sense of things. Covered by a skeletal mask, that strongly resembles the dread that Darth Vader’s mask inflicted on his viewers, Kael proves to be a force to be reckoned with within the context of the movie. Pat Roach and his bulking and intimidating frame go a long way in instilling a sense of dread unto the audience whenever he appears, as he provides another villain for this masterpiece that is not so easily shaken from ones mind. Needless to say, the characters in
As outstanding as the cast is, they wouldn’t be much to look at without an equally amazing world to interact with and in the case of
Along with the outstanding landscapes and locations that
Another magical moment occurs when Madmartigan and
Overwhelmed with a stellar cast of characters and a fictional world in which was vividly and expertly portrayed, the film exhumes an intoxicating atmosphere that just brings this fantasy realm to life. The locations and visual look of the movie is just top notch, and the inclusion of some of film-making’s most treasured techniques like the use of stop-motion animation and matte painting work, plays out like a beautiful swan song for the methods that made most of us film lovers fall in love with this cinematic medium. I’ve always been disappointed that this film didn’t reach a bigger audience than it deserved, but I’m especially thankful for the hard work and dedication that went into creating this ambitious effort, even if it wasn’t fully recognized in its time. They don’t make movies like this anymore and that is a sad statement indeed. If you’re in the mood for a fun fantasy flick that sweeps you away from your normal everyday lives and into a realm where the impossible is possible, then give this one a try. There truly isn’t anything like it out there and if you’re lucky, it might just capture your cinematic loving heart like it did mine. In the immortal words of
Damn you Burglekutt! You pig! |
Which one of my fingers looks more like a sausage? |
If anyone calls you a peck out there, just punch them square in the nuts. |
HOT! |
Willow's Travels. |
Cherlindrea is one of those close-talkers. |
Hello there Hilda.... Wanna breed? |
Mamma put the coins on Madmartigan's eyes, cause he sure don't believe what he is seeing. |
HOT! HOT! |
Get off my wagon you cross-dressing weirdo! |
Nice place you got here. |
Life sucks when you're under Nockmaar rule. |
You are my sun, my moon, my starlit sky.... plus you're HOT! |
That sword is sexy! I bet it's Sorsha's. |
I don't think David Bowie is at the end of this Labyrinth. |
HOT! HOT! HOT! |
Help! There's a peck here with a curvy stick, pointing it at me! |
Look behind you dude. |
You're troll dung! |
Out of the way! That peck is pissed! |
The Pig Man! |
Close the door Fin Raziel... were you born in a barn?!?! |
Madmartigan is MAD! |
Watch out for those lightning storms.... Shithead! |
Don't they make a beautiful couple? Oh and nice beard weirdo. |
Hooray! Willow's the man! |
Now that's a lot of little people love! |
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