Director: Claude Chabrol
Year 1967
Who’s Got the Black Box, AKA The Road to Corinth, is an interesting twist on the Eurospy formula, as it portrays a recently widowed wife of a spy as the main character of the story. Plunging into unfamiliar waters, the film still keeps the trademarks of the genre in tacked by flipping the scenario and letting its female lead play the role of secret agent. With its beautiful cast and mesmerizing locations, Who’s Got the Black Box is a spy entry that does things a little bit differently but still manages to never miss that outstanding espionage flavor that makes the genre so damn fun to watch.
The film follows a woman by the name of Shanny, who has been widowed after her undercover NATO security man husband is murdered in the line of duty. Determined to solve the mystery, Shanny discovers an intriguing plot that includes the jamming of radar installations in
The rest of the cast plays second fiddle to Seberg’s Shanny character, but they still leave a lasting impression that helps build the world of this engaging Eurospy flick. Christian Marguand plays the role of Robert Ford, Shanny’s husband and the set-piece that propels this whole wacky adventure into motion. His death thrusts Shanny into the intriguing world of the spies and Christian does a great job for the short time that he’s on screen. Taking his place in the male spy role is Maurice Ronet who plays the character of Dex. Dex’s role in the film is to keep Shanny in check, trying admirably to thwart her many attempts of escape, but failing on multiple occasions. Ronet takes on the task of babysitting Shanny with great style coming off mostly as an arrogant know-it-all, but eventually morphing into the caring leading-man role as he attempts to aid Shanny on her personal mission for redemption and closure. Lastly is Michel Bouquet as Sharps, the boss of the two secret agents. Sharps has a bit of a crush on the lovely Shanny and uses his leverage in ever way possible to annoy Shanny to no end. His character is quite strange, coming off as a kid with a crush whose only bright idea is to torment the person that he has affections for. Bouquet takes on this silly role in stride and really owns the title of biggest creep of the film, plus the dude has a smile that ignites countless awkward moments between Seberg’s Shanny character and himself that will make you cringe.
All in all the film allows itself to walk the fine line between thriller and comedy, always placing its heroine in harms way, but presenting these hair-raising moments in a tongue and cheek way that almost feels whimsical in its presentation. Take the final moments of this film for instance, where Shanny is confronted with the mastermind behind this nefarious and genius plot. She comes face to face with this fiend as he is enjoying his own personal buffet on a private island, surrounded by broken ruins and rows of damaged columns from where a great city must have once stood. This silly scene only delves deeper into ludicrousness when we witness this pig of a man sloppily devour a few morsels of food before going off on a tangent about how great his plans are and how impossible it will be to stop him. A moment later the man is stopped by a not so clever ploy by Shanny that really makes your head spin in bewilderment, but ultimately manages to entertain in its ludicrous results and the brutal way in which the villain meets his demise. Ultimately the film is a fun ride that showcases some beautiful scenery, a vivacious female lead, and an interesting series of moments that make for an enjoyable viewing.
The rest of the cast does their job to the letter, making sure to fill out the roles they are given and brighten up the flavor of the fictional espionage landscape that they are placed in. From the zany killers, to the trained spies, to the inclusion of a magician revolutionary of all things, the film has plenty of entertaining characters to introduce as the film moves along, and their implications to the plot are as equally engaging as you’d expect them to be. If you go into this film hoping to be presented with a run of the mill spy outing then you might be sorely disappointed, because what this film attempts to do is bring a more personal story to the forefront. The focus is on Shanny and Shanny alone, spending a great deal of action free moments with her character in order for us to familiarize ourselves with the situation that she is in and the overwhelming sense that she is in way over her head. I rather enjoyed this approach, and it was nice to see this other side of the Eurospy film. The best way to describe this movie would be to imagine what would happen if James Bond was killed during one of his missions and his current femme fatale took his place and tried to take down the bad guys. It’s an intriguing idea and I think the film pulled it off exceptionally well. Check out Who’s Got the Black Box if you’re in need of a twist on the genre of super spies. This film is one hell of an…..
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| Is this your black box you sneaky shit? |
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| Hello? Get me out of this freakin thing! |
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| You're not so funny now magic man. |
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| Humminah... humminah.... humminah! |
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| Well at least there's plenty of space to park. |
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| One of the most persistent barbershop quartets in the business. |
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| Always accessorize before you're about to kill. |
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| When I said give me head... that's not what I meant. |
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| What a shitty place for a picnic. |
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| That asshole's staring at the back of my head again isn't he? |
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| The Sergeant hates peeping toms. |
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| Just ignore him and maybe he'll go away. |
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| Who doesn't read Woman Magazine? It's the best! |
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| What is this a speck of dust? Well, time to kill the maid. |
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| This blind date went serisouly wrong. |
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| Peek-a-boo you fuck you! |
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| The spy who loved flowers... a little too much. |
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| A pig eating a pig. You cannibalistic bastard you! |
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| Weeeeee! What a way to go! |
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| Get a room you two! |
