Showing posts with label Yoko Tani. Show all posts
Showing posts with label Yoko Tani. Show all posts
Monday, February 29, 2016
Tuesday, January 22, 2013
i SPY EUROSPY: Agent Z55 Mission Hong Kong
Agent
Z55: Mission Hong Kong
Director:
Roberto Bianchi Montero
Year
1965
Agent
Z55: Mission Hong Kong, AKA Desperate Mission, is an entertaining
Eurospy flick that benefits from its cocky and hot-tempered lead, and
the brutal moments in which come into light during the later third of
the film. With a standard premise, an unusually calm and eccentric
villain, and an imposing muscle-bound enforcer, this spy movie has a
great deal to be appreciative of. Lensed in the familiar Eurospy
style and steep in lore of its espionage brethren, Mission Hong Kong
is an enjoyable entry in the Eurospy canon and one that will put a
smile across your face more then a few times, especially if you like
bad guys who keep armadillos as a pets. Say what!?!?!
The film
begins with the extraction of a prominent nuclear scientist named
Prof. Larsen, from a Chinese prison, by the hands of a clan of judo
experts and by the planning of Agent Z51. Unfortunately, before
Larsen can be transported back to America, Z51 is murdered, leaving
the plans for Larsen's ultimate escape to fall to ruins. Hearing the
news of Z51's death, the US Secret Service enlists their top man to
the case, Robert Manning, AKA Agent Z55. Landing in Hong Kong,
Manning must locate the now hidden Prof. Larsen while dishing out a
sweet plate of revenge for his fellow fallen agent, but things aren't
as easy as they first appear to be. For one thing there is a
suspicious pair of locals, Su Ling and the gargantuan To-go, who have
an unusual interest in Manning's presence in Hong Kong. There's also
the simple fact that Prof. Larsen could be hidden anywhere and
Manning has little to nothing to go on. What's a secret agent to do?
German
Cobos takes on the role of Robert Manning, the headstrong agent who
knows all the tricks in the book. This is my first Cobos Eurospy and
I have to say that he did a good job as the lead in this film. I'm
only aware of one other spy movie that he was in, Blueprint for a
Massacre, so I'll be hunting that one down soon. In Mission Hong
Kong, Cobos' Robert Manning is a cocky and confident agent who almost
comes off as an asshole most of the time, if it wasn't for his witty
smart remarks and playful manner. Like most Eurospy heroes, Agent Z55
has a tendency to get into some action packed scenarios and Cobos
does a wonderful job in delivering the fast-paced goods and keeping
in step with the genre. His character even has the tendency to go a
little overboard while duking it out, as will come painfully clear
after Manning burns the face of one of his combatants and sends him
crying to his death. What a badass! All in all, I'm impressed with my
first introduction to German Cobos and I look forward to seeing more
of his work in the future.
As for
the rest of the crazy bunch that inhabit this motion picture, Yoko
Tani takes on the role of Su Ling. At first her character is a
mystery, as Manning has no idea if she is friend or foe, but
eventually she comes to side with Z55 and his mission, revealing that
she was just a victim of circumstance. On the other side of the coin
is Milton Reid who plays the role of To-go, a muscle-bound strongman
who couldn't be anymore different from Su Ling if he tried. While Su
Ling is small, timid and forced to be a part of a nefarious
organization, To-go is a beast of a man and willfully participates in
the organizations affairs. Reid fits this villainous mold to
perfection and takes every opportunity he can in being a thorn in
Manning's side. He's an intimidating presence and his facial features
are just icing on the already memorable cinematic cake. The leader of
this rag-tag group of characters is a man by the name of Barrow,
played by Gianni Rizzo. While many Bond-type villains are given a pet
to impose fear into their agents, Barrow is instead given one of the
most peculiar of animal sidekicks in the form of an armadillo. I shit
you not! The dastardly bastard has an armadillo as a pet. Be that as
it may, I have to say that unfortunately for Rizzo, this is probably
the most memorable thing about his character.
With any
grand Eurospy film, you have stupendous locations and visuals to back
that up and with Mission Hong Kong you get that with the abundance of
all the picturesque landscapes that Hong Kong has to offer. From the
bustling atmosphere of the city to the maze-like wooden structures
floating on the harbor, the film has a nice diversity with its
locations and uses them to great effect. Though the tradition for
most Eurospy flicks is to showcase a great array of international
vistas, Z55 is content with just basing its espionage-filled antics
in Hong Kong and for this film it works. The mission on display is a
much more subtle version then we are used to in this genre and it
makes sense to scale back the global aspects of the production to fit
the scenario. Still, director Roberto Bianchi Montero makes adequate
use of his sprawling locales, giving the production a much more
broader feel then it has any right to have.
As for
the action of Mission Hong Kong, they haven't forgot it, in fact
there is a great deal of interesting set-pieces to be witnessed in
this humble production. Manning finds himself battling it out in some
rather impressive locations, which give way to a great deal of
visually alluring moments that make for an impressionable
battleground. For instance Agent Z55 has a shootout in a movie
theater where he battles thugs behind a projection screen, he has a
hair-raising close call at a construction site at night, and an even
more enthralling man to man brawl with To-go in a tanker where
Manning shows his more savage and resourceful side. All in all, it's
safe to say that as the movie moves along, Agent Z55 becomes more and
more brutal and violent, which is always a plus in my book.
Agent
Z55: Mission Hong Kong is a respectable Eurospy entry that may not be
the most robust of the genre, but it still maintains all of the
factors that make us love these kind of flicks. From the get go, we
are presented a espionage-filled world that is sparse with
globetrotting aspects, but what is kept intact is the formula which
has spawned a plethora of like-minded genre films that know exactly
what the fans want from this type of entry. Agent Z55 beds the
ladies, beats the baddies, and saves the day, just as it should be,
and director Roberto Bianchi Montero does an excellent job in making
it all an enjoyable affair.
When it
comes to German Cobos' performance as the super spy Robert Manning,
he really gives it his all and throws himself in to the role. The
fights are frantic and physical, the shootouts are ruthless and
succinct, and the flirtatious interactions are a plenty. Mission Hong
Kong also benefits from a commendable supporting cast of characters
like Yoko Tani's Su Ling, Milton Reid's To-go, and the blandly
depicted, but strangely hypnotic, armadillo lover Barrow, played by
Gianni Rizzo. Combine all of these various elements together and you
have yourself Agent Z55: Mission Hong Kong, an interesting Eurospy
effort that has all of the things that we crave; action, adventure,
and babes. This is one mission that's.....
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Pay attention to the road asshole! |
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Umm... How do I put this? There's a dead hooker in my room. |
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Peek a boo Manning. I see you! |
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Look at me when I'm talking to you, you bald FREAK! |
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Hello there sexy lady. |
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Staring contest.... GO! |
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Hold it right there mister. |
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I'll be using you tonight. |
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Check out the rack on that hose hound. |
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Manning's gas problem made for an awkward moment. |
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I outta pop you right in the mouth! |
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Come here and give me a big hug! |
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Once again Manning's gas ruins the day. |
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How about we heat this motherfucker up? |
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Is that weird little man still watching us? |
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Knock it off you two and learn to share. |
Thursday, June 14, 2012
REVIEW: The Silent Star
The Silent Star
Director: Kurt Maetzig
Year 1960
The Silent Star is a thought-provoking and eerieEast
Germany science fiction film that shows just
what might happen if we were to receive a message from the stars and compelled
enough to answer it in person. The film is bathed in a mystifying atmosphere
which helps to push the story along as each mystery is revealed and a piece of
the puzzle is filled in to give a better picture on the true intentions of this
unknown race. With its multi-national cast and its beautifully rendered
depictions of space and the rigors that one goes through in order to venture
into the unknown, The Silent Star is a genuinely engaging science fiction tale
that sucks you right in from the start and never lets go.
The film begins with an alien spaceship being unearthed that contains a strange looking device scientists refer to as a memory spool. Contained within this artifact is a message that no linguist or cryptographer can decipher, yet they can determine the origin of this downed ship to be from the planet Venus. Being curious and impatient, an international crew is brought together in order to partake on a mission to the distant planet with a sole goal of making contact with this alien race, but without the translation of the memory spool they don’t know if they are going to arrive as friends or enemies to this race of beings. As they arrive on this strange new planet, the crew comes face to face with the shocking truth of the Venusians true intentions. Saturated in a mist of mysteries, The Silent Star delivers an outstanding story that is as equally entertaining as it is frightening.
The cast of The Silent Star is a cornucopia of international flavors deriving from all over the globe. The list goes on and on, but I’ll run through the main players that really stand out in this film. We’ve got Michail N. Postnikow taking on the role of the Soviet astronaut Prof. Arsenew, Gunther Simon playing the role of Raimund Brinkmann the German pilot, Yoko Tani playing the role of the Japanese doctor Sumiko Ogimura, Julius Ongewe taking on the role of Talua the African radio technician, and Oldrich Lukes filling in the boots of American atomic physicist Prof. Harringway Hawling. The entire cast does a wonderful job with their respective characters, but there are a few that go above and beyond their call of duty to make something exceptionally memorable about their individual roles.
Yoko Tani is one of these actors that really flesh out her character Sumiko. Her story is a sad one, as we find out that her husband has died on the moon prior to our introduction to her character and that she made it her sole purpose in life to continue her late husband’s research, thus landing her a seat on the mission to Venus. There is a very sad moment in the film where they fly past the moon and Yoko painfully recalls the horrific memory of her husband’s death. This is all done with acting and not flashbacks, so we get to see the horror of recollection flash across her face in vivid detail. Yoko does a great job in this scene and her character seems to have a great deal of emotional pull compared to the rest of the somewhat tepid cast.
Another stand out among the characters is Prof. Arsenew played by Michail N. Postnikow. He brings the dreamer aspect to his astronaut character, always looking to the stars in a positive light and hoping against hope that they find life that is both friendly and open to bridging the gap between the two races. Of all the characters in the movie, Michail’s Prof. Arsenew is the one that is most inline with the movie’s thematic arc. There is a great deal of positivity in the beginning half of the film, where the outlook on venturing into space is that of an optimistic light. Though the movie quickly begins to delve into a more dire tone, there is a great expression of love towards the expansion of man’s understanding of the universe, and this is felt the strongest in the character of Prof. Arsenew.
Aside from the various characters that inhabit this strangely engaging piece of science fiction fare, there is a great deal of attention put into the look and feel of the planet Venus. The landscape is surreally realized as it’s covered in a thick hazy fog that radiates across the screen and often begins to plunge into psychedelic territory with its bright colors and trippy visuals. The dreamlike quality that the filmmakers were able to accomplish with the look of the planet Venus is absolutely outstanding, making you feel like you’ve walked into a dreamscape of sorts with its totally unfamiliar presentation and haunting tone. One of the main accomplishments of this film is being able to depict such a strange world by use of traditional and practical effects. The miniature work and set designs for this film are some of the most inventive that I’ve run across during this time period of filmmaking. The Silent Star really does throw out all the tricks in the book to enable themselves to fully create a world that truly only exists on the silver screen.
This painstakingly robust design style runs over into the exterior and interior shots of the Venusian’s architecture, as we get to see what their command center looks like and a few of their cityscapes, even if that is after a nuclear fallout. There is a great deal of history that the filmmakers infuse into their set design, and the images that surround our brave crew often tell the story of what occurred in the Venusians past and what kind of society they lived in. This kind of attention to detail is greatly appreciated and you can tell that the filmmakers were as caught up in the story that they were telling as much as they hoped the audience eventually would when they finally got to see it for themselves. Overall, what was most impressive about The Silent Star was that it had a whole lot to say about our own society and that even though the population of Earth was in harmony for the most part in this film, the Venusians paralleled what the Earth was really like culturally speaking and I enjoyed the cautionary tale that the filmmakers where trying to get across. In the end, The Silent Star is a wonderful little science fiction story that really should be more known to genre fans around the world. This stuff is great!
The Silent Star is an
ambitious entry in the science fiction genre, focusing more on the concepts and
confines of space travel and the diverse worlds that could be waiting for us
out there among the stars, rather than the “wham bam thank you ma’am” style of
today. It also has a great emphasis on the dangers of technology and the tendency
we all have to wield power and wield it selfishly. Though these thematic
overtones are subtle within the structure of the narrative, you can still feel
the overall tone of the lesson even if it is hidden behind the stylized look of
the picture.
Speaking of the look of the film, it is simply spellbinding in its depiction of the alien planet Venus. Super-charged with a surreal palette that looks like something from out of a dream, The Silent Star is anything but typical. Add onto that the inclusion of a stellar international cast and you have the recipe for one entertaining and thought-provoking film that takes a visionary look into interplanetary relations and pushes it into uncharted territories. If you like your science fiction films to have a more cerebral outlook on life then check this one out as soon as you can. They don’t make them like this anymore and that’s a damn shame. The Silent Star is a…..
Director: Kurt Maetzig
Year 1960
The Silent Star is a thought-provoking and eerie
The film begins with an alien spaceship being unearthed that contains a strange looking device scientists refer to as a memory spool. Contained within this artifact is a message that no linguist or cryptographer can decipher, yet they can determine the origin of this downed ship to be from the planet Venus. Being curious and impatient, an international crew is brought together in order to partake on a mission to the distant planet with a sole goal of making contact with this alien race, but without the translation of the memory spool they don’t know if they are going to arrive as friends or enemies to this race of beings. As they arrive on this strange new planet, the crew comes face to face with the shocking truth of the Venusians true intentions. Saturated in a mist of mysteries, The Silent Star delivers an outstanding story that is as equally entertaining as it is frightening.
The cast of The Silent Star is a cornucopia of international flavors deriving from all over the globe. The list goes on and on, but I’ll run through the main players that really stand out in this film. We’ve got Michail N. Postnikow taking on the role of the Soviet astronaut Prof. Arsenew, Gunther Simon playing the role of Raimund Brinkmann the German pilot, Yoko Tani playing the role of the Japanese doctor Sumiko Ogimura, Julius Ongewe taking on the role of Talua the African radio technician, and Oldrich Lukes filling in the boots of American atomic physicist Prof. Harringway Hawling. The entire cast does a wonderful job with their respective characters, but there are a few that go above and beyond their call of duty to make something exceptionally memorable about their individual roles.
Yoko Tani is one of these actors that really flesh out her character Sumiko. Her story is a sad one, as we find out that her husband has died on the moon prior to our introduction to her character and that she made it her sole purpose in life to continue her late husband’s research, thus landing her a seat on the mission to Venus. There is a very sad moment in the film where they fly past the moon and Yoko painfully recalls the horrific memory of her husband’s death. This is all done with acting and not flashbacks, so we get to see the horror of recollection flash across her face in vivid detail. Yoko does a great job in this scene and her character seems to have a great deal of emotional pull compared to the rest of the somewhat tepid cast.
Another stand out among the characters is Prof. Arsenew played by Michail N. Postnikow. He brings the dreamer aspect to his astronaut character, always looking to the stars in a positive light and hoping against hope that they find life that is both friendly and open to bridging the gap between the two races. Of all the characters in the movie, Michail’s Prof. Arsenew is the one that is most inline with the movie’s thematic arc. There is a great deal of positivity in the beginning half of the film, where the outlook on venturing into space is that of an optimistic light. Though the movie quickly begins to delve into a more dire tone, there is a great expression of love towards the expansion of man’s understanding of the universe, and this is felt the strongest in the character of Prof. Arsenew.
Aside from the various characters that inhabit this strangely engaging piece of science fiction fare, there is a great deal of attention put into the look and feel of the planet Venus. The landscape is surreally realized as it’s covered in a thick hazy fog that radiates across the screen and often begins to plunge into psychedelic territory with its bright colors and trippy visuals. The dreamlike quality that the filmmakers were able to accomplish with the look of the planet Venus is absolutely outstanding, making you feel like you’ve walked into a dreamscape of sorts with its totally unfamiliar presentation and haunting tone. One of the main accomplishments of this film is being able to depict such a strange world by use of traditional and practical effects. The miniature work and set designs for this film are some of the most inventive that I’ve run across during this time period of filmmaking. The Silent Star really does throw out all the tricks in the book to enable themselves to fully create a world that truly only exists on the silver screen.
This painstakingly robust design style runs over into the exterior and interior shots of the Venusian’s architecture, as we get to see what their command center looks like and a few of their cityscapes, even if that is after a nuclear fallout. There is a great deal of history that the filmmakers infuse into their set design, and the images that surround our brave crew often tell the story of what occurred in the Venusians past and what kind of society they lived in. This kind of attention to detail is greatly appreciated and you can tell that the filmmakers were as caught up in the story that they were telling as much as they hoped the audience eventually would when they finally got to see it for themselves. Overall, what was most impressive about The Silent Star was that it had a whole lot to say about our own society and that even though the population of Earth was in harmony for the most part in this film, the Venusians paralleled what the Earth was really like culturally speaking and I enjoyed the cautionary tale that the filmmakers where trying to get across. In the end, The Silent Star is a wonderful little science fiction story that really should be more known to genre fans around the world. This stuff is great!
Speaking of the look of the film, it is simply spellbinding in its depiction of the alien planet Venus. Super-charged with a surreal palette that looks like something from out of a dream, The Silent Star is anything but typical. Add onto that the inclusion of a stellar international cast and you have the recipe for one entertaining and thought-provoking film that takes a visionary look into interplanetary relations and pushes it into uncharted territories. If you like your science fiction films to have a more cerebral outlook on life then check this one out as soon as you can. They don’t make them like this anymore and that’s a damn shame. The Silent Star is a…..
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How did I get duped into buying this stupid hat? |
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Before I answer any of your questions, I'm well aware of my bird-like features. |
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What a romantic day for a one on one poetry reading. |
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So I'm ready for that happy ending now. |
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People let's try to focus more on the mission and less on my freaking bird face. |
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Get down from there you knucklehead. |
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How come Brinkmann got a happy ending and I didn't get shit! |
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I'm still waiting on that happy ending. I know you hear me! |
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I'm going to kill the fool who designed these things. What's with the monkey ears? |
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Find anything yet? We ain't find SHIT! |
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So what are you nerds up to? |
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Hey Darth Maul! Quite screwing around with that double-bladed light saber! |
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Welcome to the Bog of Eternal Stench. |
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I'm sorry to say that the mission was a failure. I still have my creepy bird-like features. |
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