Showing posts with label Lucio Fulci. Show all posts
Showing posts with label Lucio Fulci. Show all posts

Sunday, January 22, 2017

VIDEO REVIEW: The House by the Cemetery

Friday, November 4, 2016

VIDEO REVIEW: The Psychic

Wednesday, April 4, 2012

REVIEW: City of the Living Dead

City of the Living Dead
Director: Lucio Fulci
Year 1980
 
City of the Living Dead is an atmospheric zombie film brought to us by Italian horror maestro Lucio Fulci. While wholly unorthodox, the movie has one of the most oppressive atmospheres of the genre, placing the viewer smack dab in the middle of a surreal nightmare where hell is threatening to break loose and seemingly does. With Fulci’s trademark splatter effects and his pension for creating a dreamlike tone for his films, this strange zombie opus is one you won’t soon forget.
 
The film begins in a small mysterious town of Dunwich, where a priest commits suicide by hanging himself from a tree. This disturbing act opens the gates of hell, turning this normally quite town into a feasting ground for the living dead. Plagued by a vision of the dying priest, young psychic Mary Woodhouse, teams up with a New York City reporter, Peter Bell, as they travel to the town of Dunwich in order to stop, what Mary possibly believes, to be the end of the world. The dead shall rise and walk the earth and we have front row seats for the zombie apocalypse. Thank you Fulci!

Catriona MacColl plays the role of Mary Woodhouse, the psychic who is literally, yet temporarily, struck dead after having a horrible vision of a priest committing suicide. MacColl is no stranger to fans of Lucio Fulci, seeing that she has played key roles in two other films of the Italian filmmaker’s; The Beyond and The House by the Cemetery. With City of the Living Dead being her first foray into the dark and disturbing world of Fulci, Catriona does an amazing job in rolling with the strange structure of the narrative and reacting quite realistically to the ungodly sights that quite often come into contact with her character. Lucio seems to revel in putting his actors and actresses through hell, and MacColl seems to have the grapes to take anything the twisted director can throw at her, resulting in three strong female characters that are just masterfully performed by the talented actress.
 
Playing her partner in crime is Christopher George as New York City reporter Peter Bell. Another virgin in Fulci territory, George pulls off the roll of the smarmy and wise cracking reporter with a good deal of cheese, showing us that award winning smart ass smile of his that he just loves to show off in the long list of genre efforts that he’s managed to pile up over the course of his career. I’ve always got a kick out of George and enjoyed his various contributions to the horror genre as a whole and City of the Living Dead is no exception. His performances in Pieces, Day of the Animals and Grizzly, are legendary among my circle of friends, and in this film he succeeds in bringing that same charm and watchability that he’s known for.

As for the film itself, it is something of an oddity, relying heavily on its tremendously established atmosphere to set the tone and feel of the movie. The story overall seems random, placing us back and forth between various groups of characters as they experience the horrors of living in a town that now serves as the opening to hell, but it’s through these characters’ experiences that we are visually told on what is going on. With every strange occurrence and morbid sequence, the atmosphere of the film becomes more and more overwhelming, until we are saturated in this disgusting sequence of events and vividly given the impression of the dire situation that the world now faces if something isn’t done soon about this rift in our world. It’s quite an accomplishment to be able to convey these types of feelings, without really presenting the film with a structured narrative for the audience to follow, but Lucio Fulci’s horror movies never pay too much attention to the conventions of the genre. Instead, Fulci enjoys throwing the viewer right into the fray and allowing them to swim head deep into a surreal world where nothing is as it seems. The result of this technique is nothing short of brilliant, giving way to a vibrant cinema world that is truly unsettling.
 
The aspects of Fulci’s films that add even more to the unsettling tone of his stories are the outrageously gory moments that he splatters throughout these surreal gems. With City of the Living Dead, we are gifted a truly disgusting series of effects driven wonders, particularly when a young woman begins dripping blood from her eyes and then vomits up her insides in one gore producing mess. Now that is excellently disgusting! With that horrific ordeal recorded, we also are given some nasty kills provided by the strangely teleporting zombies of the flick. In a great number of scenes, the zombies choose to sneak up on their victims and then proceed to rip out the back of their skull and yank a piece of brain out, squishing it like a rotten piece of fruit. Now that’s gotta hurt! Another one of Fulci’s trademark calling cards is put to the test when a window bursts open and begins pouring a huge mass of maggots onto the ensemble cast, as they try desperately to avoid the shitstorm of creepy crawlers. It’s one of those WTF moments, but in a Fulci movie it is an everyday occurrence. If there is one thing to be said for City of the Living Dead, it is that it’s one grotesquely surreal and absolutely nasty zombie film, done just the way I like it.

City of the Living Dead is as bizarre as a zombie film can get and when you add that to the fact that Lucio Fulci is behind the lens, then you’ve got yourself one demented undead smorgasbord. From the very start of the film, we are witness to a priest hanging himself, and in the process, unleashing the gates of hell onto the world, setting the film down a twisted and winding path that never leads to a safe haven for the viewer. The movie is saturated in doom, never lifting the tone for a second and relishing in every macabre filled moment of it.
 
The cast gives a superb effort with the tough situation that they are presented with by their unorthodox director, and both Catriona MacColl and Christopher George especially do a tremendous job in helping us figure out the story behind this mysterious apocalyptic event. The level of gore and grotesquely shot moments are abundantly present and the quality to these memorable chunks of movie gold are off the richter scale, showing that tried and true staple of excellence that Italian splatter cinema is famous for. If you’re in the mood for something truly bizarre and you fancy yourself a zombie movie lover, then get your ass a copy of City of the Living Dead, because that Lucio Fulci is one sick, gore loving bastard. This film is……

Hang in there buddy.

She really is scared shitless.

Getting buried alive kind of sucks.

These aren't tears of joy.

Christopher George, you are one cool bastard.

Why is this guy always hanging around the set?

We even get a little zombie peeping tom action. Undead pervert!

We're going to paint some happy little trees right next to this creepy little rhino.

I wouldn't go in that house if I was you.

I've got six little friends and they can all run faster then you.

Christopher George does his best Dirty Harry impersonation.

Dude... your town is a piece of shit. Tell him how it is George.

It's a maggot SHITSTORM!!!!

I think you've got something on your face.... maybe?

These actors are literally scared out of their damned minds.

The inspiration for Drowning Pool's "Let the Bodies Hit the Floor".

I think Christopher just shit his pants.

See you bastards in The Beyond.

Thursday, October 6, 2011

REVIEW: Zombi 3


Zombi 3
Director: Lucio Fulci & Bruno Mattei
Year 1988

Zombi 3 is a low grade Italian zombie film, that aside from its troubled production, lackluster acting, and convoluted plot, is actually quite a bit of fun. The film starts out at a laboratory, where scientists are doing experiments with various chemicals in efforts to reanimate the dead, or so I could gather by the obscure opening of a dead soldier's body coming to life and then violently deteriorating into a bloody mess. Say what?

Well anyways, the movie kicks into gear when a terrorist infiltrates the lab and steals a highly volatile bacterial virus. As he escapes he accidentally infects himself with the virus and begins to deteriorate, until he finally drops dead in a grotesque heap. The military find the terrorist in a hotel and quickly dispose of the body by cremating it. Little do they know that they inadvertently unleash the virus, now airborne, onto a small island village turning the inhabitants into crazed and bloodthirsty zombies. During the mayhem, a small group of tourists and surviving military struggle to make it off the island alive. Can they make it? Who really gives a shit, but damn is it entertaining to watch them try.
 
Check out these douchebags.

The Gas Mask Boys were a boy band that never really quite caught on in the States.

The film in general has been known to have had a troubled past. Initially, Zombi 3 was directed by the legendary Italian horror filmaker Lucio Fulci, but after some disagreements and other unknown problems, he left the production of the film, passing directorial efforts into the hands of fellow horror creator Bruno Mattei. I have no idea of the extent of Fulci's influence on the film or how much can be credited to his vision, but Mattei can be felt throughout this movie in almost every aspect of its narrative.

That's both a bad thing and a good thing, because both directors are worlds apart in the crafting of their stories. Fulci's output is of a higher caliber boasting such classic horror flicks as The Psychic, Zombie, City of the Living Dead, The Beyond, The House by the Cemetery, and New York Ripper, while Mattei's craft has aimed a little lower with such interesting cinematic outings as Hell of the Living Dead, Guardian of Hell, Rats, and a slew of Emanuelle flicks. They each have their own style and are outstanding in their own right, but for completely different reasons. Personally, I've always been more fond of Fulci's filmography and the style in which he tells his stories. Bruno Mattei is an interesting director though, never fearing to put that element of sleaze or morbid sense of debauchery into the mix. It's a low brow execution that ends up creating an especially unique feel for his films, including the highly underrated Zombi 3.

These are what 3D dreams are made of.

Say hello to my little friend.... and to the guy behind me who is also my friend.

What we get with this film, is not a masterpiece of decaying flesh, but an entertaining romp through the killings fields of a third world country gone to hell, literally. The location of the Philippines is actually the perfect setting for a zombie apocalypse, set within a lush tropical jungle that seems to have swallowed up the surrounding villages and urban structures. The place feels dead, but with a hint of life.

There's also a grittiness to the landscape that gives the film an authentic feel. The group of survivors must trudge through thick jungles, muddy rivers, deserted villages, and even an abandoned hotel that has been taken over by the surrounding forests. Simply put, the locations looks like complete shit and that's a very good thing. It's a strange thing to put down in words, but the entire film just feels dead and decaying and combined with Mattei's dream like execution behind the camera, the film comes out being very atmospheric and vividly placed within a world that only exists on the celluloid roll. It may be considered low class, but Zombi 3 definitely has a feel all of its own.

Holy Shit! I think they're gonna kiss!

Here zombie... zombie... zombie.

There are a few things that hold the film back from being something entirely special and memorable, and that would be the acting and tremendously entangled plot. In the case of the acting, the actors are wooden as all hell and deliver their lines like they've just come out of their first day of acting school. For me this doesn't make the film unremarkable or easily discarded. I can appreciate the efforts put on by the cast and I understand that they were the best that the production could afford for this humble zombie undertaking. Surprisingly their awkward dialogue and cheesy delivery actually adds a certain charm to the movie, making a perfect companion to the equally dire and devastated locations. It's a slumming experience when watching Zombi 3, but in retrospect it seems like the only way this confusing story could be told. The movie is a low budget wonder that relishes in the impoverished locales that it is filming in and thrives for that very reason.

The same can be said for the story of Zombi 3. Anyone who has watched this film can tell you that there isn't a whole lot of logic to be had within the narrative and that there seems to be two warring factions of creative thought within the structure of the film. The passing of the torch from Fulci to Mattei can be felt throughout this flick, giving way to a multitude of uncomfortable moments when the story just runs off the rails and delves into some seriously sub-par moments, that often bring about laughter rather then screams. Take the flying zombie head for instance. Yeah you heard me right, there's a flying zombie head that bursts out of a refrigerator of all places and bites one of the main characters in the neck. If that wasn't wacky enough, there's also a ridiculous birthing scene where a newborn infant rips its way out of its mother's womb to feast on the flesh of another cast member. These moments are pure Mattei and often derail any tension that might have built up prior to the scene. Now don't get me wrong, these instances of insanity are entertaining as all hell and are definitely unique to say the least, but they're extremely distracting and feel culled from another film, not the one we were previously following.

These guys don't mess around when it's zombie killing time.

I hope your aim is better then your acting.

Even in its unbalanced nature, the film is a blast to watch and it even has some rather effective and morbid moments. The unsympathetic and ruthless military squad that is set loose upon the zombie infested island, gives way to some outstandingly dire situations for the survivors harking back to those Romero-esque notions that the zombies aren't the ones that we should fear the most, but instead man. There are some truly inspirational shots of the military force, draped in hazard suits and gas masks, marching through the streets and looking genuinely menacing.

Let's also not forget about the zombies, which there are a plethora of. We've got all types of walking dead, like the slow movers, to the water waders, and even some of the jumping variety. There's also a machete wielding zombie that's one crazy son of a bitch, moving at lightening speed and acting like a total bad ass. My favorites of the bunch though are the slow moving pack of zombies. There's an especially excellent scene that has our main survivors held up in an abandoned building as they watch the approaching throngs of undead shuffle their way towards their barricade. The scene is slow and methodical and actually brings a bit of class to the overall film. While not as iconic as the zombies in the original Zombie, these dead-heads do their job and do it well.

How the hell did we get ourselves into this shit?

Hell Yeah! It's DJ Aint Seen Shit!

What can be said about Zombi 3 other then it is a blast if you're willing to overlook the movies shortcomings and appreciate it for what it is. The film is a down and dirty zombie tale that tends to go a little overboard in parts, but never strays too much as to make it unwatchable. In fact, the moments when the film veers off course are insanely enjoyable and stick with you because of their astonishing and earth-shattering oddness. Flying heads and rabid babies aside, Zombi 3 is a very atmospheric flick that provides a good number of memorable zombie moments that should cater nicely to walking corpses fans the world over. If you're willing to watch a film that is a little bit rough around the edges, but has entertainment at its heart, then I recommend giving it a chance. You never know, you might actually end up liking it. Now I'm off to get something from the fridge..... SHIT! Zombie head. Damn you Zombi 3!

3 out of 5 stars             An Interesting Fulci/Mattei Oddity!

Thursday, September 22, 2011

ZOMBIESCAPES: Zombi 3


Zombi 3
Director: Lucio Fulci, Bruno Mattei
Year 1988