Showing posts with label 1998. Show all posts
Showing posts with label 1998. Show all posts
Thursday, December 8, 2016
Tuesday, May 17, 2016
Monday, March 14, 2016
Tuesday, July 30, 2013
Tuesday, August 7, 2012
REVIEW: Vampires
Vampires
Director: John Carpenter
Year 1998
Vampires is an extremely satisfying horror film that gives us gore, violence, vicious vamps, and a protagonist who is the very definition of badass. Born from the creative mind of John Carpenter and crafted in that iconic style that the director is known for, the movie oozes coolness from every inch of its frame. With its penchant for vulgarity and hyper stylized brutality, Carpenter introduces a new spin on the vampire genre which gives a plethora of twists and turns to the tried and true lore of these fantastically creepy creatures, while at the same time remaining true to the overall trademarks that have allowed these legendary movie monsters to survive throughout the years. Saddle up padre! It’s time to hunt some vamps!
The film follows a vampire hunter by the name of Jack Crow, who after his entire team is slaughtered, sets out on a suicide mission to destroy the master vampire Valek, the one who started it all. Accompanied by one surviving member of his team, an infected prostitute, and a wet behind the ears priest, Crow must race against time to retrieve an ancient relic called the Cross of Berseires, an item that if possessed by Valek will grant him with unstoppable power. With the odds stacked against them and an army of vampires gunning for their jugulars, Jack Crow and company embark on a blood-filled journey with one goal in mind, to kill every last godless son of a bitch before nightfall comes. Get ready because the blood confrontation of the ages is about to begin.
James Woods plays the iconic
role of Jack Crow, the highly capable vampire killer with the mouth of a
sailor. Woods is tremendously remarkable in the role, making for one of the
most memorable and entertaining characters in recent horror history. His
portrayal of the jaded hero is enjoyable to say the least, and his rough and
rude disposition is an essential core element in why this movie is so much damn
fun to watch play out. I’ve always been a fan of Woods’ large body of work, but
in Vampires he is absolutely fabulous and exceptionally badass. Unlike
Carpenter’s other legendary imagined characters who each had badass qualities
to them but expressed them in a more cool and calm manner, Woods’ performance
with Jack Crow is something of a manic wonder as it showcases Jack as a
cold-hearted and bloodthirsty lunatic bent on destroying every last vampire on
earth. He’s as harsh to his friends as he is to his enemies and that makes him
a rather engaging anti-hero, one that is deadly serious and stuck on a path for
revenge, all the while being a hot-headed asshole. On top of this overbearing
hatred for the vampire species, Woods also allows a witty and twisted sense of
humor to resonate within his performance. He’s got charisma to last and his
presence in this film is something of a revelation.
The rest of the cast, though overshadowed by Woods’ rabid persistence, do a commendable job with their respective roles. Daniel Baldwin takes on the role of Anthony Montoya, the surviving member of Crow’s team and a wingman of sorts to his leadership role. While not the best actor in the world,Baldwin
gives a tremendously sympathetic performance that brings a good amount of heart
and depth to the film. Tim Guinee makes a surprise turn as Father Adam Guiteau,
a timid and passive priest that transforms into a badass servant of god when
put to the test. Tim may come into the film with a low-key performance, but as
the movie comes closer to the closing credits he becomes something of a
hypnotic force as he reemerges as a vampire hunter worthy to be named equal to
Jack Crow. I found the growth of his character to be rather entertaining and I
love how Guinee just fills the character out and brings him to life. Last but
not least is Sheryl Lee who plays the role of Katrina the infected prostitute.
She does a decent job with the lady of the night character, but she doesn’t
really become intriguing until she is bitten by Valek and begins slowly
transforming into a monster. Her seizure like movements during the second half
of the movie can be quite unsettling and even annoying, aside from a few jiggly
bits that are always appreciated, but the ultimate effect makes it perfectly
clear that she is painfully transforming into something else entirely.
When it comes to intimidating
vampires, you can’t get much better than Thomas Ian Griffith’s portrayal of
Valek. Looking like Trent Reznor on crack, Griffith infuses his character with a
formidable look that blends both the romanticized interpretations from vampire
lore and combines that with the savage nature that these beasts convey within
the film that Carpenter has created. The make-up effects and overall design of
his character is subtle yet effective, and the rest of the vampire cast is as
equally intimidating. Draped in black, with steely glares and blood drenched
lips, the vampires in this film are quite interesting and visually stunning.
This also goes hand in hand with the wonderful effects work that showcases the
brutal way in which these creatures deal out death. Just to give you an idea on
the type of grotesque things that we’re privy to seeing in this film, I’ll name
a few key gore moments that really stood out after viewing. There is an
amazingly produced torso splitting that showcases one of the vampire hunters getting
sliced in two, a plethora of decapitations, a slew of impalements featuring
penetrated skulls and staked hearts, and a handful of moments where we get to
see the nasty effects that the sun has on these creatures of the night.
Needless to say the film has its fair share of effects work cut out for it and
each case is respectably pulled off to impact the splendor of the moment and
add that essential sense of awesomeness.
What I loved most about this film though, is that at its heart it is a John Carpenter movie through and through. From the well crafted characters, to the exceptionally atmospheric world, to the outstanding and masterfully composed original score, this film just oozes that haunting Carpenter charm. Crafting itself in the same vein as Robert Rodriguez’s 1996 genre mash-up From Dusk Till Dawn and applying Carpenter’s sensibilities into the entire production, the film transforms into a pleasant hybrid that both pays homage to the modern horror efforts of the time while still maintaining that iconic visual sense that Carpenter is heralded for. There is just a badass quality to the way the film is presented and you can’t help but be swept up in the cool nature of it all. It’s vile, abrasive, unapologetic, and downright nasty and that’s just the way I like my horror flicks.
John Carpenter’s Vampires is
a trip down badass lane. There is a tremendous sense of energy to the
production, brought on mostly by James Woods’ wonderful portrayal of the
heartless and mean-spirited Jack Crow, the go to guy when you need someone to
take down a few blood sucking freaks. Woods and his manic performance is one
for the ages, and his counterparts Daniel Baldwin, Tim Guinee, and Sheryl Lee
do a great job in fleshing out the feel of the cast and balancing out the
spirited performance of Mr. Woods. Thomas Ian Griffith’s performance is also
another standout of the film, providing a perfect villain for Jack Crow to
battle with during the climax of the movie.
With a beautiful color palette and an atmospheric musical score, the film is often at times breathtaking, but most importantly the movie is magnificently and fully realized as both a genuine believable story and a fictional work of art. The entertainment value that comes with the large amounts of gore, the excessive violence, and the bone-chilling creature effects, are through the roof outstanding and the dialogue between the characters are deliciously crass and without a doubt a highlight of the production. Saturated in a rustic, grunge induced stooper, the film world that Carpenter has set up is steep in dirt and grime, which makes the realm that this movie inhabits that much more visceral and raw. If you’re looking for a kick ass vampire film to satisfy your horror appetite or you’re just wondering what a John Carpenter vampire movie would look like, give this one a go. I promise you won’t be disappointed. This flick is…..
Director: John Carpenter
Year 1998
Vampires is an extremely satisfying horror film that gives us gore, violence, vicious vamps, and a protagonist who is the very definition of badass. Born from the creative mind of John Carpenter and crafted in that iconic style that the director is known for, the movie oozes coolness from every inch of its frame. With its penchant for vulgarity and hyper stylized brutality, Carpenter introduces a new spin on the vampire genre which gives a plethora of twists and turns to the tried and true lore of these fantastically creepy creatures, while at the same time remaining true to the overall trademarks that have allowed these legendary movie monsters to survive throughout the years. Saddle up padre! It’s time to hunt some vamps!
The film follows a vampire hunter by the name of Jack Crow, who after his entire team is slaughtered, sets out on a suicide mission to destroy the master vampire Valek, the one who started it all. Accompanied by one surviving member of his team, an infected prostitute, and a wet behind the ears priest, Crow must race against time to retrieve an ancient relic called the Cross of Berseires, an item that if possessed by Valek will grant him with unstoppable power. With the odds stacked against them and an army of vampires gunning for their jugulars, Jack Crow and company embark on a blood-filled journey with one goal in mind, to kill every last godless son of a bitch before nightfall comes. Get ready because the blood confrontation of the ages is about to begin.
The rest of the cast, though overshadowed by Woods’ rabid persistence, do a commendable job with their respective roles. Daniel Baldwin takes on the role of Anthony Montoya, the surviving member of Crow’s team and a wingman of sorts to his leadership role. While not the best actor in the world,
What I loved most about this film though, is that at its heart it is a John Carpenter movie through and through. From the well crafted characters, to the exceptionally atmospheric world, to the outstanding and masterfully composed original score, this film just oozes that haunting Carpenter charm. Crafting itself in the same vein as Robert Rodriguez’s 1996 genre mash-up From Dusk Till Dawn and applying Carpenter’s sensibilities into the entire production, the film transforms into a pleasant hybrid that both pays homage to the modern horror efforts of the time while still maintaining that iconic visual sense that Carpenter is heralded for. There is just a badass quality to the way the film is presented and you can’t help but be swept up in the cool nature of it all. It’s vile, abrasive, unapologetic, and downright nasty and that’s just the way I like my horror flicks.
With a beautiful color palette and an atmospheric musical score, the film is often at times breathtaking, but most importantly the movie is magnificently and fully realized as both a genuine believable story and a fictional work of art. The entertainment value that comes with the large amounts of gore, the excessive violence, and the bone-chilling creature effects, are through the roof outstanding and the dialogue between the characters are deliciously crass and without a doubt a highlight of the production. Saturated in a rustic, grunge induced stooper, the film world that Carpenter has set up is steep in dirt and grime, which makes the realm that this movie inhabits that much more visceral and raw. If you’re looking for a kick ass vampire film to satisfy your horror appetite or you’re just wondering what a John Carpenter vampire movie would look like, give this one a go. I promise you won’t be disappointed. This flick is…..
![]() |
Say CHEESE! |
![]() |
This dude must have a splitting headache. Yuk Yuk. |
![]() |
Hang in there darling. |
![]() |
Oh what a feeling.... when you're dancing on the ceiling. |
![]() |
Holy shit that's brutal! |
![]() |
Please hammer don't hurt em. |
![]() |
Now that was one hell of a party! |
![]() |
Stop sleeping in the earth.... DIRTBAGS! |
![]() |
Be very quiet.... Daniel Baldwin is hunting a sexy ass. |
![]() |
Get that cross out of my face shithead! |
![]() |
It's one of those good old fashioned vampire barbecues. |
![]() |
This movie is a real SCORCHER! |
![]() |
Looking cool padre. |
![]() |
Messy baby. |
![]() |
James Woods' nuts roasting on an open fire. |
![]() |
Trent Reznor is PISSED! |
![]() |
James Woods really likes to show off his cross. |
![]() |
Who's gonna clean this shit up? |
Labels:
1998,
90's,
Daniel Baldwin,
horror,
John Carpenter,
Sheryl Lee,
Thomas Ian Griffith,
Tim Guinee,
Vampires
Thursday, June 21, 2012
HERE'S JACKIE!: Who Am I
Who Am I?
Director: Benny Chan & Jackie Chan
Year 1998
Who Am I is a high octane thriller that features enough action-packed moments and spectacular stunts to satisfy any fan of Jackie Chan’s cinematic stylings. Directed by both Benny and Jackie Chan, this intense entry is overwhelmingly ambitious, telling an intriguing story about one man’s loss of memory and the journey he must take to find out who he really is. With its mysterious plot and espionage-filled moments of grandeur, Who Am I sets the stakes high on what Jackie Chan can accomplish and the epic battle at the end of this film is one for the books. If you’re in need of a Jackie fix, than this film should do the trick.
The film follows a Special Forces agent by the name of Jackie, who after finishing up his latest mission is double-crossed and left for dead after a helicopter crash. When he comes to, he has no recollection of how he got there or even what his name is, but after being taken in by a local South African tribe, he is then named Whoami by the tribesmen. Determined to find out who he is, Jackie sets off on a wild adventure that has him traversing jungles, deserts, bustling metropolises, and towering skyscrapers. The only catch is that the closer he comes to remembering who he is, the closer he comes to being assassinated by the ones who double-crossed him. Can Jackie overcome the odds and remember who he is? Do I even have to ask? Hold on to your butts as Jackie Chan figures out his true identity in….. WHO AM I?!?!?!
Jackie Chan plays the role of, who else, but Jackie, the amnesia suffering badass who’s a regular James Bond. Chan cranks up the formula that won him over so many fans in the past, and makes for a splendidly super secret agent, but in a style that is truly his own. The man may be 44 years old in this movie, but you’d never guess it in the way he moves across the screen or still puts his body in harms way. In this role, Jackie performs some extremely impressive stunts including a death-defying rooftop fight scene, a dizzying fall that makes Jackie look like a human version of a yo-yo, and a breathtaking slide that boasts Jackie gliding down a side of a glass building hundreds of feet above the air. These are all exceptionally done and intricately planned out stunts that look like they were performed in the most spontaneous of ways. As for the personality of Jackie’s agent, I’d say that he leans more towards the serious, but often at times can be a little goofy when a few of the comedic moments of the film make their presence known. All in all, this is one hell of an entry in Jackie’s expansive career and his performance is one that I love visiting over and over again.
Along
for the ride are Michelle Ferre as Christine Stark and Mirai Yamamoto as Yuki.
Ferre plays the role of the illusive reporter that seems to know a great deal
more than she leads Jackie’s character to believe, while Yamamoto plays the
role of the silly, but hard as nails, racecar driver who helps Jackie out of a
few sticky situations. Together the two women make a great combination to aid
Jackie on his mission for rediscovery and luckily both women are given ample
opportunity to showcase what they are made of. On the opposing side of the
fight card we have Ron Smerczak as Morgan, the snake in the grass CIA operative
who will stop at nothing in order to dispose of Jackie before he regains his
memory back. Ron is absolutely ruthless in this one and he treads the fine line
of bad taste with some of his delivered lines, but in my opinion that’s the fun
of his role. He played a perfect crooked CIA operative and the fact that the
last scene of the film has him being pursued by a small army of soldiers, who
are literally surrounding him from every direction; his character still keeps
trying to get away even though the situation is hilariously dire and
inescapable in the simplest of terms.
What’s really nice about this film is that it captures the same atmosphere and sense of adventure that you’d find in many of the popular spy films throughout the ages. Much like his genre bending in the Armour of God series, Jackie takes the aspects that are prevalent in a James Bond film and spatters them across the movie’s narrative in order to make his own hybrid of espionage-filled adventures. We’ve got intrigue with the amnesia angle, we’ve got adventure with the globe trotting aspects of the locations, we’ve got action with Jackie’s trademark stunts and tightly planned-out fight choreography, we’ve got a superb villain and his group of henchmen and minions to do his bidding, and we’ve got a pair of lovely ladies to fill in the femme fatale portions of the film and there’s your Bond sandwich. The end result is highly entertaining and perfectly pitched as a fun romp through espionage filled waters.
As mentioned above, the film has no shortage of heart stopping moments provided by a top formed Chan that really doesn’t know the meaning of the word quit. From a masterfully directed car chase that features a breakdancing and gravel-spitting racecar, to a fight on a cobblestone street that showcases Jackie taking on a group of baddies while wearing wooden clogs on his feet, to an epic rooftop battle between two seasoned fighters that has to be seen to be believed, you’ll come to find that this film really packs a punch. As for the closing battle, the rooftop fight on top of the Rotterdamm building is a thing of beauty matching Jackie up against Dutch black belt Ron Smoorenburg and
The cast for the movie is also quite inspiring as it brings in an array of actors to fill up its Bond style formula. Mirai Yamamoto and Michelle Ferre inject the film with a great deal of sassy pizzazz, while Ron Smerczak takes the role of the evil and ambitious CIA operative to new and entertaining heights. Incorporated along with this lively cast is a set of action sequences and outstanding fight choreography that really crank up the pace of the film as it sets your pulse racing. The fact that the movie concludes with an eye-opening fight scene that features Ron Smoorenburg and David Leung taking on Jackie atop of the Rotterdamm building is essentially the icing on this highly enjoyable cake. Do yourself a favor and check this Jackie starring vehicle out for yourself. It really is that damn good. Who Am I is…..
![]() |
What's up weirdo. |
![]() |
Jackie get down from there you little monkey! |
![]() |
Guys, there is a time and place for thumb wrestling. Now is not it. |
![]() |
It was probably the most awkward dinner proposition that Jackie ever received. |
![]() |
Again with the climbing on shit! Don't you respect anyone's property? |
![]() |
Jackie finds out the hard way that the car is a stick shift. Ouch! |
![]() |
Jackie has a hard time with goodbyes. |
![]() |
You don't want to be around when Jackie starts pointing fingers. |
![]() |
Caught red-handed you poodle snatching bastard! |
![]() |
No one puts Jackie in the corner. No one! |
![]() |
Shhhhh.... I'm about to kick your ass. |
![]() |
Jackie I see you, you little sneak. |
![]() |
This guy just got Jackie'd. |
![]() |
Prepare for one epic fight scene. |
![]() |
Sweet mother of god! That's one hell of a nice jacket! |
![]() |
Quit whining you cry-baby. |
![]() |
Weeeeeeeee! |
![]() |
This is probably the most ridiculous car in the world. |
Subscribe to:
Posts (Atom)