Showing posts with label 1960. Show all posts
Showing posts with label 1960. Show all posts
Tuesday, October 25, 2016
Friday, October 7, 2016
Tuesday, July 19, 2016
Monday, March 28, 2016
Monday, February 29, 2016
Friday, October 30, 2015
Sunday, October 27, 2013
Tuesday, September 10, 2013
REVIEW: The Terrible People
The
Terrible People
Director:
Harald Reinl
Year
1960
The
Terrible People, AKA Die Bande des Schreckens, is a wonderfully
demented and highly atmospheric Krimi film which relishes in its
ample twists and turns. Cast in the genre's stylistic black and white
photography and bathed in morbid visual splendor, this extremely
enjoyable murder mystery is every bit as entertaining as its
fantastic cast. With a steady balance of horror archetypes and
comedic shenanigans, The Terrible People is an Edgar Wallace adaption
that is sure to thrill.
The film
begins with the capture and execution of master criminal Clay
Shelton. Before he is sentenced to death, he curses all that were
involved with his capture, claiming the “Hand of the Gallows”
will murder each one ending with Chief Inspector Long of Scotland
Yard. As bodies begin piling up and the list of intended victims
begins to lessen, Inspector Long searches through throngs of shady
characters and scrupulous dealings in order to find out who is behind
these mysterious murders, all the while trying to keep his new-found
love interest, Nora Sanders, from harms way.
Joachim Fuchsberger takes on the role of Chief Inspector Long and he does a fabulous job in the featured role. Joachim is no stranger to those of you that are fans of the genre, for he pops up in a great number of Krimi films, often taking on the lead role and doing it with style. His charisma and screen presence is unquestionably captivating, and in The Terrible People, he's in top form. His quick wit and sarcastic demeanor fits perfectly with the whimsical, yet atmospheric proceedings, and you can tell that he is an actor made for the genre. As the central focal point of the film, and the character who leads us into the fray, you can find no one better than Fuchsberger. He takes the character of Inspector Long and just runs with it, making an already enjoyable film that much more entertaining.
The rest
of the cast fills in rather nicely with Fritz Rasp playing the
Inspector's rigid father Lord Godley Long, Dieter Eppler taking on
the sneaky and opportunistic Mr. Crayley, Ulrich Beiger as the
mustachioed cad Mr. Henry, and Elisabeth Flickenschildt as the
mischievous heiress Mrs. Revelstoke. They all do an impressive job in
pulling out every red hearing trick in the book, and each one gets
ample time to chew up the scenery. The real standouts among the cast
are Krimi regulars Karin Dor and Eddi Arent. Karin Dor takes on the
role of Nora Sanders, Inspector Long's love interest, while Eddi
Arent plays the bumbling and faint of heart crime scene photographer
Antony Edwards. Karin looks absolutely spectacular in her innocent
portrayal of Ms. Sanders, while Arent does his usual comedic shtick
to perfection. All in all, the cast is a wonderfully diverse group of
characters that make this Krimi world come to stark life.
As for
the story of The Terrible People, it is one that is filled with just
the right amount of twists and turns, making you second guess every
character that comes into frame. The set up of Clay Shelton's ghost
murdering the people responsible for his capture and death is
expertly executed, and the horror infused elements that this premise
brings to life is a real treat to see play out. Those handful of
moments where Shelton's figure is spotted at the scene of the crime
are rather haunting, and they do marvels for ratcheting up the
mystery of the story.
The
atmosphere of the film is equally palpable, providing a slew of
outstanding locations and sets to allow all the morbid sequences to
pan out. From swanky country clubs, to fog covered woods, to tranquil
rivers, and the stereotypical interiors of lavish mansions, the film
has an overabundance of locales that always serve the story well. Not
only are these locations distinct in tone and presence, but they are
shot in the most exquisite and picturesque of ways. The black and
white photography is outstandingly vivid, making for a perfect
mixture of foreboding horror and unabashed beauty. Combine that with
the intricate plot of multiple murders by the hand of a phantom
specter and you have yourself one hell of a good time.
The
Terrible People, AKA Die Bande des Schreckens, is a perfect example
of the quality of films you can find in the Krimi genre. Its perfect
display of balancing the horror and comedic elements of the narrative
is a testament to the genre as a whole. This is also prevalent in the
movie's visual aspects, as there is an abundance of charm to be had
in all the eye candy within the picture. With the film's beautiful
cinematography and fabulous black and white photography, the movie is
a classic presentation that allows the style to gel with the
substance.
Adding
to the already impressive aspects of the production, the cast gives
an outstanding ensemble performance allowing the paranoia of the
narrative to grab hold and never let go. Though infused with a tongue
and cheek attitude, the movie and its characters still manage to
emphasize the mystery surrounding the film, and it is a balancing act
that I've only really seen accomplished within the Krimi genre.
Joachim Fuchsberger, Karin Dor, and Eddi Arent seem bred for the
proceedings, giving tremendous turns as our central figures. Joachim
especially brings a charismatic approach to his Inspector Long
character, which can attribute to the film's infectious appeal and
lasting impression. If you're new to the genre or are looking to
expand your Krimi knowledge, then I highly recommend checking this
entry out. The Terrible People is.....
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There's something fishy about this guy. |
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Are you gonna bark tree, or am I going to have to pump you full of lead? |
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Now that's an interesting way to take a photo. |
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I hate classically painted portraits...... There's one right behind me isn't there? |
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Hello there! |
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Just hold it right there you sexy beast! |
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God damn I'm one sexy motherfucker! |
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The name's Long.... Inspector Long. |
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I'm sorry, is my mustache disrupting your meal? |
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Look at my mustache..... Look at it! |
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Murder Mystery Staring Contest.... GO! |
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Let's see if we can't get that booger out. |
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Ahoy there! |
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Mr. Crayley... You dirty traitor you. |
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Eddi! Say it Arent so! |
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Check out my bling bitches. |
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Surprise! It's a gun-phone! |
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Hey you! Pull my finger! |
Monday, October 22, 2012
REVIEW: The City of the Dead
The City of the Dead
Director: John Llewellyn Moxey
Year 1960
The City of the Dead, AKA Horror Hotel, is a haunting little underrated gem which focuses on the storied myths of New England’s past to tell a new sordid tale filled with cults, conspiracies and witchcraft. Displayed in tension filled style and embraced by black & white cinematography that just oozes with ambience, this twisted story revels in poignant imagery that really sets the mood for the season. With an abundance of atmosphere and a solid cast, The City of the Dead primes the viewer with its unsettling subject matter and its dream-like sets and locations, which really pack a solid horror punch. If you’re looking for a classy horror entry that mirrors the quality that British powerhouse Hammer Films used to produce, then this little known witchcraft entry may be just up your alley.
The film begins in the year 1692 with a witch burning, as the villagers of Whitewood, a smallNew England town, condemn a local heretic named Elizabeth
Selwyn. As she burns at the stake, she curses the town and threatens to return
again. Flash forward 300 years later and college student Nan Barlow, at the
suggestion of her professor, Alan Driscoll, heads to Whitewood in order to do
some research on witchcraft. Once she arrives she finds a fog shrouded village
that is anything but inviting. It seems the town is inhabited by a strange
group of denizens who in their mysterious nature seem fixated on Nan ’s arrival. As her stay becomes more and more bizarre,
Nan comes to find that the town is under the
control of a coven of witches who are looking to her to be one of two yearly
sacrifices that take place during the Witch’s Sabbath. With Nan’s brother
Richard Barlow and her boyfriend Bill Maitland setting out to search for her,
can they defeat this evil coven of witches or will they succumb to the terror
that has plagued the town of Whitewood
for the past 300 years?
Venetia Stevenson plays the role of Nan Barlow, the innocent and curious youth who stumbles onto a scenario that she can neither fathom nor predict. Stevenson is a vision and even though she disappears almost halfway through the movie, her performance and initial set up of the creepy world of The City of the Dead is enough to instill in our minds the ambient wonder and dangerous nature of the film. Though I have to admit, her absence in the second half of the movie is quite jarring, leaving me wanting more of her subtle presence. Be that as it may, we are soon introduced to a new vixen. Taking the torch from Venetia Stevenson is Betta St. John, who takes on the role of Patricia Russell the new female lead of the movie. Though not as mesmerizing as Stevenson,St.
John does a wonderful job in progressing the story
along. Her character actually resides in Whitewood, so her normalcy among such
strange surroundings is actually rather intriguing which lends to the overall
mystery of the film. When it comes to both actresses, they do a commendable job
with the atmosphere of the movie and each one makes a lasting impression on the
audience, though in their own special way.
Rounding out the rest of the cast is Dennis Lotis as Richard Barlow, Tom Naylor as Bill Maitland, Patricia Jessel as both Elizabeth Selwyn and Mrs. Newless, and last but not least the legendary Christopher Lee as Alan Driscoll. Though Christopher Lee’s appearance in the film is reduced to an extended cameo, he still makes his fleeting moments shine as he brings enough feeling and credibility to his role to affect the entire production. Out of all the actors above, Patricia Jessel gets the most screen time as she plays the role of the evil witch Elizabeth Selwyn and the character of Mrs. Newless the mysterious innkeeper with a secret past. I liked the maniacal way in which she carried herself and her witchlike features allow her to seamlessly morph into the character without even a hint of burden cast onto the audience in trying to imagine her wicked ways. All in all, the cast of The City of the Dead is a rather solid one.
The atmosphere of the film is also a potent one, relying a great deal on its nightmarish quality and outstanding setting to cast fear into its audience. The town ofWhitewood is a
picturesque view filled with haunting rustic buildings, fog covered landscapes,
and an unsettling stillness that permeates every inch of the production, and
the set up to all of this otherworldly style is introduced perfectly by the
opening sequence of a witch being put to death. Adding to the ambiance of the
picture is a cast of villagers that appear more as ghosts than of real people.
There are numerous times when one of our featured cast are traversing through
the village only to be quietly gawked at by silent watchers composed of various
apparition-like denizens. These unsettling moments are genuinely creepy and aid
in the overall tone of the story.
The film also takes a good bit of time to show us the interiors of the buildings from the quaint little bookshop to the rustic and shadow-filled inn. It’s the moments inside the inn that are especially eerie, as it is crammed with dark low lit rooms, secret passageways, and underground tunnels. The structure of the inn leads to some very memorable moments, like when Nan first discovers that the throw rug in her room covers a trap door that opens up to the sadistic cult’s underground chambers. Another visual quality of the film is in the antagonists of the story. Draped in dark hooded cloaks and armed with daggers, this coven of witches are as maleficent as they are stylishly creepy. These devilishly dressed cult followers and their iconic attire give way to an amazingly somber moment in the waning hours of this film, when we are treated to an entertaining showdown between the cult and the last remaining good guys of the film. This is all played out among the silhouetted landscape of a fog covered graveyard and it looks absolutely exquisite. There are some unbelievably beautifully shot scenes in this sequence and the epic conclusion will absolutely rock your socks off in its presentation and execution. This is pure Hammer Horror imagery here!
The City of the Dead is a sadly overlooked horror film that mixes the imagery of Krimi films with the classic presentation of the Hammer Horror greats. Basking in a world of fanciful and frightening sights, this horror entry really knows how to delivery on the visual front. The movie plays out like a cinematic tapestry of gothic infused delights, gifting each return to this eerily created Whitewood with a spine-tingling greeting. The imagery perfectly captures the witchcraft hysteria that ravaged the lands ofNew England during
the Salem Witch Trials, and that tempered atmosphere hangs low in the air.
Saturated with class and knee deep in surreal setting, The City of the Dead is a UK production that gives its all in generating a genuinely creepy tale that features enough twists and turns, and unexpected character demises, to warrant it as one intriguing horror gem. With a more than competent cast and an endless supply of atmosphere on tap, this film is a lost treasure that I always find myself getting lost in. If you’re looking for a good witchcraft yarn and you are in need of a Halloween atmospheric boost, then give John Llewellyn Moxey’s The City of the Dead a try. The visuals alone pack quite a punch. This film is an…..
Director: John Llewellyn Moxey
Year 1960
The City of the Dead, AKA Horror Hotel, is a haunting little underrated gem which focuses on the storied myths of New England’s past to tell a new sordid tale filled with cults, conspiracies and witchcraft. Displayed in tension filled style and embraced by black & white cinematography that just oozes with ambience, this twisted story revels in poignant imagery that really sets the mood for the season. With an abundance of atmosphere and a solid cast, The City of the Dead primes the viewer with its unsettling subject matter and its dream-like sets and locations, which really pack a solid horror punch. If you’re looking for a classy horror entry that mirrors the quality that British powerhouse Hammer Films used to produce, then this little known witchcraft entry may be just up your alley.
The film begins in the year 1692 with a witch burning, as the villagers of Whitewood, a small
Venetia Stevenson plays the role of Nan Barlow, the innocent and curious youth who stumbles onto a scenario that she can neither fathom nor predict. Stevenson is a vision and even though she disappears almost halfway through the movie, her performance and initial set up of the creepy world of The City of the Dead is enough to instill in our minds the ambient wonder and dangerous nature of the film. Though I have to admit, her absence in the second half of the movie is quite jarring, leaving me wanting more of her subtle presence. Be that as it may, we are soon introduced to a new vixen. Taking the torch from Venetia Stevenson is Betta St. John, who takes on the role of Patricia Russell the new female lead of the movie. Though not as mesmerizing as Stevenson,
Rounding out the rest of the cast is Dennis Lotis as Richard Barlow, Tom Naylor as Bill Maitland, Patricia Jessel as both Elizabeth Selwyn and Mrs. Newless, and last but not least the legendary Christopher Lee as Alan Driscoll. Though Christopher Lee’s appearance in the film is reduced to an extended cameo, he still makes his fleeting moments shine as he brings enough feeling and credibility to his role to affect the entire production. Out of all the actors above, Patricia Jessel gets the most screen time as she plays the role of the evil witch Elizabeth Selwyn and the character of Mrs. Newless the mysterious innkeeper with a secret past. I liked the maniacal way in which she carried herself and her witchlike features allow her to seamlessly morph into the character without even a hint of burden cast onto the audience in trying to imagine her wicked ways. All in all, the cast of The City of the Dead is a rather solid one.
The atmosphere of the film is also a potent one, relying a great deal on its nightmarish quality and outstanding setting to cast fear into its audience. The town of
The film also takes a good bit of time to show us the interiors of the buildings from the quaint little bookshop to the rustic and shadow-filled inn. It’s the moments inside the inn that are especially eerie, as it is crammed with dark low lit rooms, secret passageways, and underground tunnels. The structure of the inn leads to some very memorable moments, like when Nan first discovers that the throw rug in her room covers a trap door that opens up to the sadistic cult’s underground chambers. Another visual quality of the film is in the antagonists of the story. Draped in dark hooded cloaks and armed with daggers, this coven of witches are as maleficent as they are stylishly creepy. These devilishly dressed cult followers and their iconic attire give way to an amazingly somber moment in the waning hours of this film, when we are treated to an entertaining showdown between the cult and the last remaining good guys of the film. This is all played out among the silhouetted landscape of a fog covered graveyard and it looks absolutely exquisite. There are some unbelievably beautifully shot scenes in this sequence and the epic conclusion will absolutely rock your socks off in its presentation and execution. This is pure Hammer Horror imagery here!
The City of the Dead is a sadly overlooked horror film that mixes the imagery of Krimi films with the classic presentation of the Hammer Horror greats. Basking in a world of fanciful and frightening sights, this horror entry really knows how to delivery on the visual front. The movie plays out like a cinematic tapestry of gothic infused delights, gifting each return to this eerily created Whitewood with a spine-tingling greeting. The imagery perfectly captures the witchcraft hysteria that ravaged the lands of
Saturated with class and knee deep in surreal setting, The City of the Dead is a UK production that gives its all in generating a genuinely creepy tale that features enough twists and turns, and unexpected character demises, to warrant it as one intriguing horror gem. With a more than competent cast and an endless supply of atmosphere on tap, this film is a lost treasure that I always find myself getting lost in. If you’re looking for a good witchcraft yarn and you are in need of a Halloween atmospheric boost, then give John Llewellyn Moxey’s The City of the Dead a try. The visuals alone pack quite a punch. This film is an…..
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Anyone want a Witch Shish Kabob? |
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What do you wanna do with your life?!?!? I WANNA ROCK!!!!! |
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I think you've had enough you Milk Shake-a-holic. |
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What are you looking at weirdo? |
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So it's romantic as shit in here..... wanna do it? |
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Christopher Lee.... you're such an enabler. |
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It was an interesting Children's book. |
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There is nothing worse than a Peeping Christopher. |
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Get off the road you stupid shit! |
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What were you born in a barn? Shut the door old man! |
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How romantic! |
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Thanksgiving is a little bit different in Whitewood. |
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Christopher Lee you little sneak. |
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Tell me my sweater is out of fashion again you son of a bitch! |
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What do the viewers at home think? Should we kill her? |
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Break it up you cross hugging pervert! |
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My god! Look at the size of that booger! |
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This movie is a real scream. |
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